Veronica Fowler's comprehensive step-by-step manual shows you not only how to install your water garden, but maintain it entirely on your own."Backyard Water Gardens" teaches you how to install liners, pre-formed shapes, containers, and aboveground pools and fountains. From there, it helps you choose plants, add them to your garden, fertilize, prune, divide, and ward off pests and diseases. But Fowler's book goes far beyond the basics, covering all the maintenance and troubleshooting of water feature hardscapes--from a rip in a liner, to a damaged pool, to maintaining equipment and filters (including seasonal maintenance for winter care). Veronica Fowler's "Backyard Water Gardens" allows you to fully enjoy the convenience and versatility of water gardening, all while maintaining it with ease for years to come."Backyard Water Gardens" is truly an all-inclusive manual, encompassing every style, type, and size of water feature imaginable. No matter the "feel" you wish to convey in your garden--casual, formal, or whimsical--Fowler's book enables you to create it with confidence. Your range of hardscape options is incredibly vast, from small, container-sized fountains that complement any space with added sound and movement, to large in-ground or aboveground ponds and streams. Larger installations not only provide soothing, rejuvenating sights and sounds; they can also house fish and plants and passively attract natural wildlife to your backyard.

Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hoelderlin (1770-1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.